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The first installment in Jasper Fforde’s New York Times bestselling series of Thursday Next novels introduces literary detective Thursday Next and her alternate reality of literature-obsessed England
Fans of Douglas Adams and P. G. Wodehouse will love visiting Jasper Fforde's Great Britain, circa 1985, when time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously: it’s a bibliophile’s dream. England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic verse is a punishable offense. All this is business as usual for Thursday Next, renowned Special Operative in literary detection. But when someone begins kidnapping characters from works of literature and plucks Jane Eyre from the pages of Brontë's novel, Thursday is faced with the challenge of her career. Fforde's ingenious fantasy—enhanced by a Web site that re-creates the world of the novel—unites intrigue with English literature in a delightfully witty mix. Thursday’s zany investigations continue with six more bestselling Thursday Next novels, including One of Our Thursdays is Missing and the upcoming The Woman Who Died A Lot. Visit jasperfforde.com.
- Sales Rank: #34515 in Books
- Brand: Penguin Books
- Published on: 2003-02-25
- Released on: 2003-02-25
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .70" w x 5.10" l,
- Binding: Paperback
- 400 pages
Features
Amazon.com Review
Penzler Pick, January 2002: When I first heard the premise of this unique mystery, I doubted that a first-time author could pull off a complicated caper involving so many assumptions, not the least of which is a complete suspension of disbelief. Jasper Fforde is not only up to the task, he exceeds all expectations.
Imagine this. Great Britain in 1985 is close to being a police state. The Crimean War has dragged on for more than 130 years and Wales is self-governing. The only recognizable thing about this England is her citizens' enduring love of literature. And the Third Most Wanted criminal, Acheron Hades, is stealing characters from England's cherished literary heritage and holding them for ransom.
Bibliophiles will be enchanted, but not surprised, to learn that stealing a character from a book only changes that one book, but Hades has escalated his thievery. He has begun attacking the original manuscripts, thus changing all copies in print and enraging the reading public. That's why Special Operations Network has a Literary Division, and it is why one of its operatives, Thursday Next, is on the case.
Thursday is utterly delightful. She is vulnerable, smart, and, above all, literate. She has been trying to trace Hades ever since he stole Mr. Quaverley from the original manuscript of Martin Chuzzlewit and killed him. You will only remember Mr. Quaverley if you read Martin Chuzzlewit prior to 1985. But now Hades has set his sights on one of the plums of literature, Jane Eyre, and he must be stopped.
How Thursday achieves this and manages to preserve one of the great books of the Western canon makes for delightfully hilarious reading. You do not have to be an English major to be pulled into this story. You'll be rooting for Thursday, Jane, Mr. Rochester--and a familiar ending. --Otto Penzler
From Publishers Weekly
HSurreal and hilariously funny, this alternate history, the debut novel of British author Fforde, will appeal to lovers of zany genre work (think Douglas Adams) and lovers of classic literature alike. The scene: Great Britain circa 1985, but a Great Britain where literature has a prominent place in everyday life. For pennies, corner Will-Speak machines will quote Shakespeare; Richard III is performed with audience participation … la Rocky Horror and children swap Henry Fielding bubble-gum cards. In this world where high lit matters, Special Operative Thursday Next (literary detective) seeks to retrieve the stolen manuscript of Dickens's Martin Chuzzlewit. The evil Acheron Hades has plans for it: after kidnapping Next's mad-scientist uncle, Mycroft, and commandeering Mycroft's invention, the Prose Portal, which enables people to cross into a literary text, he sends a minion into Chuzzlewit to seize and kill a minor character, thus forever changing the novel. Worse is to come. When the manuscript of Jane Eyre, Next's favorite novel, disappears, and Jane herself is spirited out of the book, Next must pursue Hades inside Charlotte Bront‰'s masterpiece. The plethora of oddly named characters can be confusing, and the story's episodic nature means that the action moves forward in fits and starts. The cartoonish characters are either all good or all bad, but the villain's comeuppance is still satisfying. Witty and clever, this literate romp heralds a fun new series set in a wonderfully original world. (Jan. 28)Forecast: With a six-city author tour, a well-conceived Web site at www.thursdaynext.com and crossover appeal to Bront‰ fans, this is likely to attract more attention than the usual first genre novel.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Adult/High School-A delightful first book in a proposed series set in an alternative and offbeat Britain of 1985 and featuring Literary Detective Thursday Next. England is still fighting the Crimean War with Imperialist Russia, and the prevailing culture is based on literature. When the original manuscript of Charles Dickens's Martin Chuzzlewit is stolen, it is a high crime indeed, and Next is called in to help catch the culprit. To make matters worse, her "mad as pants" but brilliant uncle has created a machine that could cause all kinds of literary mayhem. This title has a cast of complete nutters. Acheron Hades, the world's third most wanted villain, has just the right mix of evil and charm to make readers look forward to meeting the first and second most wanted. Be warned that minor passersby may come round again in this "mad tea party" of a story. The novel has the surrealism and satire of Douglas Adams, the nonsense and wordplay of Lewis Carroll, and the descriptive detail of Connie Willis. What sets Fforde's work apart, however, is its winsome heroine. This is a highly entertaining mystery with social satire, time travel, fantasy, science fiction, and romance thrown in to the well-written mix.
Jane Halsall, McHenry Public Library District, IL
Copyright 2002 Reed Business Information, Inc.
Most helpful customer reviews
131 of 138 people found the following review helpful.
A wild trip into an alternative universe.
By Mary Whipple
Jasper Fforde has a rich imagination that moves in wacky directions, an off-the-wall sense of humor that never quits, and a deep knowledge and love of literature which give shape and substance to this hilarious "thing" he's created. Not really a mystery, sci-fi thriller, satire, or fluffy fantasy, this wild rumpus contains elements of all these but feels like a completely new genre. Fforde combines "real" people from the "historically challenged" world of his plot with characters from classic novels, adding dollops of word play, irony, literary humor, satire--and even a dodo bird--just for spice.
With "real" characters who can stop time or travel back and forth in it, hear their own names (the names here are really terrific!) from 1000 yards away, appear in duplicate before themselves to give advice, travel inside books, and change the outcome of history, the reader journeys through Fforde's looking glass into a different and far more literary universe than the one we know. Thursday Next, a SpecOp-27 in the Literary Detective Division of Special Operations, is looking for Acheron Hades, who has stolen the original manuscript of Martin Chuzzlewit and killed one of the characters in it, thereby changing the story forever. Thursday and the Literatecs are trying to prevent him from getting inside Jane Eyre and committing further murders.
If you have not read Jane Eyre recently, your pleasure in this book will be greatly enhanced if you look up a brief plot summary on-line before proceeding too far--the ending of Jane Eyre as we know it is different from the ending of Jane Eyre as Thursday Next knows it, and the differences themselves become a delightful part of this plot. Though some readers seem to feel that the book would benefit from a bit of pruning in order to strengthen its conclusion, that suggestion seems to me to be too much like Acheron Hades changing Martin Chuzzlewit or Jane Eyre--if you do that, something is irreparably lost--and this book is so much fun that I'd hate to lose even a single word! Mary Whipple
50 of 52 people found the following review helpful.
A Fun-filled Adventure
By Josh Aterovis
With the first page of this book, Fford caught my attention and held it fast until the last. I hated to see it end, but I was very happy to discover that it was only first in a series featuring Spec-Ops agent Thursday Next. Fford has created a blend of mystery, science fiction, and fantasy that is similar to Douglas Adams' Dirk Gently series. Fford's books even have the same irreverently sublime silliness, but with a decidedly literary bent.
The books are set in an alternate universe, one where England is the world greatest super power, but is held under the control of a shadowy mega-company called Goliath. The year is 1985, but it's unlike any 1985 you or I might remember. Technology is both far advanced and far behind. The Crimean War still drags on and the world's biggest superstars are authors. A special crime enforcement unit has been formed to deal with crimes that fall outside the usual boundaries of police jurisdiction. Thursday Next works for Spec-Ops 27, the Literary Division.
When the world's third most wanted criminal, Acheron Hades, finds a way to jump into the original manuscript of Dicken's MARTIN CHUZZLEWIT and assassinates Mr. Quaverley (a character you will only remember if you read the book before 1985), Thursday is assigned the case. It turns out that the assassination of Mr. Quaverley was only an example of what he was capable of, and when he jumps into JANE EYRE and kidnaps the title character, it's up to Thursday to save the beloved heroine...and the book.
I'll warn you now that you'll have to suspend belief while reading this book. It should be read as a fantasy first and foremost. It deals with time travel (Thursday's father is a Spec-Ops agent as well, but in the Chronoguard), cloned dodo's (Thursday's marshmallow loving pet Pickwick, version 1.2), and Shakespeare's Richard the Third is performed with audience participation ala Rocky Horror. If you can get past some of the more absurd qualities of the book, you're in for a true literary treat. Fford writes assuming his readers will get his numerous high lit in-jokes, and while I'm sure I missed a few, he provided me with many laugh out loud moments. While his world is bizarre and occasionally hard to swallow, it's also amazingly imaginative and fun, Fun, FUN! Thursday is a strong, complicated, and entirely likeable protagonist and I'm sure we have a lot to look forward to from her.
111 of 131 people found the following review helpful.
I thought I'd really like this, but...
By LEB
I'm reasonably well read, I love mysteries, I know all of Monty Python by heart, Joss Whedon cracks me up, and I even though Bridget Jones' Diary was pretty good. According to the blurbs on the cover I should be just the target audience for this book.
And in fact it started out okay, with some interesting ideas. A society in which literature is as popular as soccer or cricket or football are here-- okay, that's pretty clever. I was interested to see what the author would come up with.
The first sign of trouble was the names. Film critic Roger Ebert has what he called the First Law of Funny Names: "...which teaches us that deliberately funny names in the movies are a giveaway sign of desperation at the screenplay level." I felt the same way here. Some of the names are just sophomoric (like Jack Schitt), while others are so interchangable, all being cute puns, that I had trouble keeping track of who was who. Thank goodness at least the bad guy is called Acheron Hades.
Keeping the characters straight was just annoying, but the plot turned out to be fatal. We start out in an alternate reality which is, well, alternate, but seems pretty reasonable. Then, all of a sudden, surprise! People can travel through time! Okay, alternate reality with time travel. Then, all of a sudden, surprise! You can go into a book! Well, that wasn't much of a surprise, since I'd read the back cover, so we'll let it go. Then, all of a sudden, surprise! There are werewolves and vampires in this world! Oooo... kay. Then, all of a sudden, surprise! The characters go through a black hole! At that point I just rolled my eyes and stopped caring-- if the whole thing was completely random, then there was basically no point to the book. No matter what mess the author got the protagonist into, he could just come up with a "oh yeah, I didn't tell you this before but they can teleport from place to place by wiggling their nose!" type of thing to save the day.
I tried to think why I loved similarly topsy-turvy books like Alice in Wonderland and Hitchhiker's Guide, while this one fell so flat for me. Was I younger when I read those? Am I getting jaded and cynical? I don't know. I'm still delighted with those books and with more recent ones like Harry Potter, but I just never felt involved with Fforde's novel. The characters didn't matter to me, the plot didn't matter to me, and I finished it more out of a sense of duty than because I cared about the ending.
I'd been given the first three books in the series as a gift, but after finishing the first one I'm just passing them all along to a friend.
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