Sabtu, 24 September 2011

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Statistics: An Introduction, by Roger E. Kirk

Master Teacher and writer Roger E. Kirk brings two clear goals to the Fifth Edition of STATISTICS: AN INTRODUCTION: to provide a sound introduction to descriptive and inferential statistics and to help students read and understand statistical presentations in their field. Kirk provides guidelines to help you decide when to use various procedures, and how to understand the logic of the procedures. This revision includes a complete update, focusing specifically on increased coverage of effect size and power.

  • Sales Rank: #80451 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 2007-02-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 7.50" w x 1.25" l, 2.49 pounds
  • Binding: Hardcover
  • 672 pages
Features
  • Used Book in Good Condition

Review
Charles Halcomb, Wichita State University: "This book continues a strong tradition of organization which facilitates learning and understanding. . . I haven't seen any book that I consider to be its equal. . . . It serves as a gold standard for introductory level statistics books. I particularly like the inclusion in this edition of the introductory section and the summary at the end of the chapter. The review questions included in the new 5th edition are excellent […] a substantial improvement over the current 4th edition"

Joan Michael, North Carolina State University: "I would consider the Kirk text to be superior to other texts which I have considered for adoption. I really appreciate the thoroughness of coverage."

About the Author
Roger E. Kirk received his Ph.D. in experimental psychology from the Ohio State University and did postdoctoral study in mathematical psychology at the University of Michigan. He is a Distinguished Professor of Psychology and Statistics at Baylor University. He founded and, for 25 years, directed Baylor's Behavioral Statistics Ph.D. program and the Institute of Statistics, now the Department of Statistical Science. He has published extensively in the areas of statistics, psychoacoustics, and human engineering and is the author of five statistics books. His first book, Experimental Design: Procedures for the Behavioral Sciences, has been identified by the Institute for Scientific Information as one of the most frequently cited books in its field. Dr. Kirk is a fellow of the American Psychological Association (Divisions 1, 2, 5 and 13) and the American Psychological Society. He is a past president of the Society for Applied Multivariate Research, Division 5 of the American Psychological Association, and the Southwestern Psychological Association. In recognition of his teaching effectiveness, he was named the Outstanding Tenured Teacher in the College of Arts and Sciences and designated a Master Teacher, Baylor University's highest teaching honor. He is the 2005 recipient of the Jacob Cohen Award for Distinguished Contributions to Teaching and Mentoring from Division 5 of the American Psychological Association.

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1 of 1 people found the following review helpful.
Five Stars
By RealignFan2.0
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1 of 1 people found the following review helpful.
Five Stars
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Really great textbook! So easy to understand and follow along with!

0 of 0 people found the following review helpful.
a nice reference book with many practical examples
By Oscar
Got this for my graduate univariate statistic course. Overall, a nice reference book with many practical examples.

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Jumat, 23 September 2011

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  • Sales Rank: #2288370 in Books
  • Published on: 2005-08-01
  • Binding: Hardcover

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Kamis, 22 September 2011

[O389.Ebook] PDF Download The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music, by Lydia Goehr

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What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? What does it mean for musicians to be faithful to the works they perform? To answer this question, Goehr combines philosophical and historical methods of enquiry. She describes how the concept of a musical work emerged as late as 1800, and how it subsequently defined the norms, expectations, and behavior characteristic of classical musical practice. Out of the historical thesis, Goehr draws philosophical conclusions about the normative functions of concepts and ideals. She also addresses current debates amongst conductors, early-music performers, and avant-gardists.

  • Sales Rank: #5817176 in Books
  • Brand: Brand: Oxford University Press, USA
  • Published on: 1994-12-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.44" h x .79" w x 8.50" l,
  • Binding: Paperback
  • 328 pages
Features
  • Used Book in Good Condition

Review

"Goehr's position and discussion are sober, carefully reasoned, clearly set out, and remarkably persuasive."--Choice


"A novel and definitive study of a concept of major importance in both the history of music and the philosophy of music."--Journal of Aesthetics and Art Criticism


"A splendid historical investigation."--James Grier, Yale University


"'This is a brilliant and fascinating book... a book to be read by anyone interested in music and concerned for the health of our culture."--Music and Letters


"One of the most exciting books on music to appear for a long time... exceptional, clearly the product of a fresh, imaginative, lucid mind... the style is elegant and the argument neatly and persuasively constructed. the book is eminently readable and at the same time exhilarating for the way in which it stimulates the mind... this book cannot fail to be essential reading for a long time to come... with this volume we have a feast par excellence!"--Times Higher Educational Supplement


"Goehr brings the conceptual arsenal of her field productively to bear upon the subject."--Common Knowledge


About the Author
Lydia Goehr is at Wesleyan University, Connecticut.

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0 of 0 people found the following review helpful.
For philosophers
By Jeffrey Huntington
This book does not claim to be more than An Essay in the Philosophy of Music and addresses itself primarily to the question "What Is a Work?" I can see that this is a hot issue in early music, but in the last two centuries, I had thought that these matters had all been thrashed out by the Absurdists and copyright lawyers. Evidently, philosophers are still chewing on this question. Try, "Character indifference is a reflexive, symmetric, and transitive relation which, by obtaining, produces a class of character-indifferent inscriptions under the partition generated by this relation" (p.23). However, the arcane terminology of professional philosophers, particularly the post-modernists, can look like bafflegab to a layperson. Do you exist? Do I? Is there any such thing as Reality? Skipping over those, the author asks some tough questions, such as "How much liberty should the conductor be allowed in interpreting an orchestral score?" There are deep discussions here, but the author does not offer firm answers and I believe I've seen more concise answers in other books. If your interest is mainly in music history of the last two centuries, this will be slow going for a meager yield.

9 of 32 people found the following review helpful.
I really enjoyed it
By Christopher K. Koenigsberg
I found this book to be thoroughly engrossing, exciting, and fascinating. I frequently get into all sorts of hand-waving strange arguments with people, about "musical works" (e.g. my pseudo-"composition"/appropriation work "Your Life Up To This Moment"), and in Lydia Goehr's book, I found a very useful framework for thinking clearly and critically about such things.

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Senin, 19 September 2011

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  • Published on: 1600
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Replay, by Ken Grimwood

Jeff Winston, forty-three, didn't know he was a replayer until he died and woke up twenty-five years younger in his college dorm room; he lived another life. And died again. And lived again and died again -- in a continuous twenty-five-year cycle -- each time starting from scratch at the age of eighteen to reclaim lost loves, remedy past mistakes, or make a fortune in the stock market. A novel of gripping adventure, romance, and fascinating speculation on the nature of time, Replay asks the question: "What if you could live your life over again?"

  • Sales Rank: #549135 in Books
  • Brand: Brand: Arbor House Pub Co
  • Published on: 1987-01
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 310 pages
Features
  • 1988 winner of the World Fantasy Award
  • a time-travel novel as haunting as Jack Finney's Time and Again

From Publishers Weekly
In this intriguing fantasy adventure, Jeff Winston, a failing 43-year-old radio journalist, dies and wakes up in his 18-year-old body in 1963 with his memories of the next 25 years intact. He views the future from the perspective of naive 1963: "null-eyed punks in leather and chains . . . death-beams in orbit around the polluted, choking earth . . . his world sounded like the most nightmarish of science fiction." But Grimwood has transcended genre with this carefully observed, literate and original story. Jeff's knowledge soon becomes as much a curse as a blessing. After recovering from the shock (is the future a dream, or is it real life?), he plays out missed choices. In one life, for example, he falls in love with Pamela, a housewife who died nine minutes after Jeff; they try to warn the world of the disasters it faces, coming in conflict with the government and history. A third replayer turns out to be a serial killer, murdering the same people over and over. Jeff and Pamela are still searching for some missing part of their lives when they notice they are returning closer and closer to the time of their deaths, and realize that the replays and their times together may be coming to an end. 60,000 first printing; 75,000 ad/promo; film rights to United Artists; Literary Guild selection.
Copyright 1986 Reed Business Information, Inc.

From Library Journal
The possibility of traveling back in time to relive one's life has long fascinated science fiction writers. Without a single gesture toward an explanation, this mainstream novel recounts the story of a man and a woman mysteriously given the ability to live their lives over. Each dies in 1988 only to awaken as a teenager in 1963 with adult knowledge and wisdom intact and the ability to make a new set of choices. Different spouses, lovers, children, careers, await them in each go-round of the past 25 years, as well as slightly altered versions of world events. Their deep commitment to one another continues through the centuries of their many lifetimes. This delightful and completely engrossing story will appeal to a wide variety of readers. Literary Guild selection. Marcia R. Hoffman, M.L.S., American Hoechst Corp., Somerville,
Copyright 1987 Reed Business Information, Inc.

Review
"Dufris's skilled delivery of the fantasy of reliving one's life has just the right tone of wise hindsight." ---AudioFile

Most helpful customer reviews

9 of 10 people found the following review helpful.
If it were written today he would spend all his lives binge-watching TV and getting into arguments on social media
By Michael Battaglia
What if you could live your life over again, but without the benefit of being Bill Murray? That's the dilemma that Jeff Winston winds up facing here. When we first meet him he's in his mid-forties, stuck in a job that he doesn't seem to find as fulfilling as he used to and his marriage isn't so much unraveling as ossifying, old arguments turning into a very solid resentment that will probably last for the rest of their lives. Jeff is primed for a mid-life crisis of sorts, but instead of getting a hot young girlfriend or a new car, he gets something entirely different: a massive fatal heart attack. And that's how we start.

But as you can probably tell since the book is called "Replay" and not "All the Bad Decisions I Don't Remember Making Eventually Haunt Me", Grimwood isn't so much interested in how we get here as much as what happens afterwards. And in this case, Jeff dies and wakes up . . . in 1963, with the body of his eighteen year old self and all the memories of his life from that point until he dies in the late eighties. At a loss for what to do, Jeff does what anyone else would probably do in the same situation: massively bet on the outcomes of future sports events to secure himself vast amounts of wealth and set himself up for a comfortable existence (if nothing else, this teaches me to pay more attention to who wins the World Series, as you really never know when it might come in handy) then making shrewd investments in companies that he knows will do well in the future. All is going swell, he's living his life almost exactly as he's envisioned it.

Then he reaches the eighties and dies again. Thus a slight snag in the plan appears.

And so it goes for this latter day Billy Pilgrim, who isn't so much unstuck in time as ricocheting back and forth like a rubber ball in the middle of two metronomes. Beyond the concept, which apparently did influence "Groundhog Day", Grimwood takes a deceptively simple writing style (I managed to polish the whole book off in about three hours max) and proceeds to milk the basic idea for all its worth. He applies a realistic filter to Jeff's first time through the merry-go-round, having him do all the things that most normal people would do in the same situation (including trying to change history . . . with unexpectedly interesting results) but by forcing him to repeat all that all over again (and again) he gives up an opportunity to keep revisiting the same scenario but with new wrinkles added each and every time. He attempts to rectify mistakes he made in his original life, tries to shake a sense of loss for what he left behind in previous run-throughs, all the while operating with the knowledge of the one thing that most of us will never know for certain: when he's going to die and how. He's not even sure if he'll come back each time but his constant struggle to both avoid his fate and try something different with his life each time makes for oddly engaging reading, as Grimwood keeps recreating the same scenarios but weighed with Jeff's knowledge of all his past lives layered on top of him, a burden he can't quite embrace nor escape.

And yet Grimwood keeps making it interesting, like a wheel running over the same track again, working the groove deeper and deeper. On one of his go-rounds, Jeff comes to realize he isn't the only one reliving his life repeatedly and that wrinkle of two people trapped in overlapping loops of the same cycle, falling in love and losing each other and having to figure out how to find each other again, greatly opens up the possibilities of the book. He varies the repetition just enough so that you notice the differences more than the similarities, managing to simultaneously convey the joy of having your whole life ahead of you again, the drudgery of having to plod through the boring parts once more (I didn't mind high school and college at the time but the thought of having to go through and study for all those classes again with my old and shriveled late thirties mind is terrifying on some level) and the anxiety that comes when knowing exactly how much time you have only means that you're more aware than anyone else how absurdly little it really is. For Jeff and the woman who becomes his companion its like riding a treadmill tilted downward and coated in oil, you can fight as hard as you want to stay upright and stay on the belt but eventually you're going to fall away back to the start again.

The fact that any of this succeeds is due to Grimwood's ability to give us forward momentum even when the plot is literally doubling back on itself. His imagination for the different scenarios is fantastic enough, like dropping the same actors into the same framework for a play over and over again and watching them improvise a different result based on what's gone before. He manages to keep the feel of it realistic by focusing on the characters themselves and how they react to something, both in their despairs and how they make it work (and for contrast he throws in a third person apparently experiencing the same phenomenon, whose reaction to it makes their wackiest moments seem like utter pillars of rationality), whether its buying stocks, betting on horse races, or making movies. What he doesn't do, and which I sorely appreciate, is make the focus on the book the characters' quests for the ultimate "why" this is all happening. Different explanations are floated and the reader can probably come up with their own theories, whether time itself is broken, or its aliens running an experiment or even some test from a higher power, but the characters quickly realize, as much as the reader probably will, that the explanation isn't the point. Knowing the why doesn't tell you anything beyond maybe that God as a weird sense of humor. Ultimately the characters are too busy living to worry about that and that's where the meat of the book lies, in the second and third chances that we all want but never get, the changes we make within ourselves with the weight of experience, the tragedy of loss and the joy of reconnecting and the grim certainty that even if you had all the time in the world, it would still be too little (something hammered home later when it becomes clear the intervals between dying and being reborn are becoming shorter and shorter).

There's a line in one of my favorite Robert Frost poems that goes "I'd like to get away from Earth awhile/and come back to it and begin over" and here Grimwood makes us ask ourselves, what would we do if we had to do it all over again? Is fixing your mistakes (or what you perceive to be mistakes) the point? Is it the opportunity to try new things, to see if all those paths we never took would actually lead us somewhere better? Or is it simply worth the chance to revel in the day to day progression once more and not worry whether we get it right the whole time. Jeff ends the novel in nearly the exact place he began it, and yet it would be difficult to suggest he's the same person. Still, were his opportunities any better or more open than ours? You don't have to feel trapped to want to make a change and you don't need a freak spasm of time to give you an excuse. In a sense, we have it better than Jeff does for a good chunk of the book. Forced to go over the same temporal ground repeatedly, he has to make the most of limited tools and see his progress, for good or ill, erased. But for us, every day forward gives a chance to move away from where we were and push ahead to a horizon that might reside where we need to be. Within the borders of our years, we are boundless, perhaps more than we realize.

2 of 2 people found the following review helpful.
How would you live you life again?
By Solari
Originally published in 1986, Replay is a time travel story with a twist. It raises the question: what would you do if you died right now and woke up 25 years ago back in your teenage body? What if this happened several times and you could relive your life again, and again, and again?

[THIS REVIEW CONTAINS MINOR SPOILERS]

The plot begins with Jeff Winston, a 43-year-old radio broadcaster that dies of a heart attack in 1988 during a phone conversation with his wife. He immediately wakes up back in 1963 and how he was at 18, still a law school student, but now with the memory of everything that would happen in the next 25 years.

The first thing that Jeff does is become a millionaire, by betting – correctly – in all the sports events he remembers. The he goes to Las Vegas, gets a trophy wife, becomes a billionaire as he knows the best company stocks to buy. Despites his efforts taking better care of his health and having a whole hospital at his disposal, Jeff dies again in 1988 and wakes up back in 1963, in a phenomenon that would repeat itself several more times.

Jeff balances himself between omnipotence and impotence. He tries to stop JFK’s assassination before it happens, but the president ends up killed by someone else. He tries to find his old wife in his new life, who drives him off in some lives and accepts him in others, evolving a different personality each time. He has a daughter in a life, who he fears will be lost in a limbo when he “reboots”. And Jeff accumulates a knowledge that he has no one to share with. Until he discovers he is not the only one “replaying” his life.

It is very interesting how the character goes through different stages along his replays, enthusiasm, depression, acceptance. Author Ken Grimwood showed great sensibility recreating all these existences, with moments of new happiness and new pain. The point that came across to me is that if we lived our lives again we wouldn’t correct the mistakes of the past, we would only make new ones. Replay is a book that transcends science fiction and makes the reader think about their own story.

2 of 2 people found the following review helpful.
Knockout book about what it means to be alive
By Gary Schroeder
Let’s just get to the point: Replay is simply one of the best novels that I’ve read in a long time, the kind of book that you’re sorry to see come to an end and, after the last page, one finds it hard to return to the “real world.” Published in 1988, Replay is basically a mid-life fantasy novel in which our hero Jeff Winston gets the unexpected opportunity to live his life over again. I’m not giving anything away by saying that he dies from a heart attack in his 40s only to reawaken as an 18 year old freshman in college. After the initial shock, he’s forced to conclude that it’s no dream; he really is re-living his life over again. He has the miraculous opportunity to do it all over…except this time, he’ll get it right. With his foreknowledge of the future, he can not only make himself wealthy, but he can avoid getting trapped into the same failed relationships that ended when he “died.” What person in their 40s hasn't wondered how things might have been different or whether or not they’ve made the most of the time that they’ve been given? Replay explores that question in elegant ways.

I wouldn’t want to give away any of the details of what Jeff learns along the way since that would ruin the enjoyment of reading the book for yourself, but I will say that author Ken Grimwood has crafted a classic here, a book that I’m surprised is not more well known. He skillfully covers universal adult themes of regret, longing, and confusion over just what the inherent meaning of life is. He delves deeply into the joys and sorrows of marriage, children, money, power, sex, and personal fulfillment. He does this so well that you may feel—as I did—as if you’ve actually had the opportunity to live multiple lives and reach the same conclusions about Universal Meaning as the protagonist does. As a result, you may be just a little more joyful about the life and the chances that you have today—right now. Replay achieves what the best fiction always does: it awakens us to fundamental truths.

One final note: the book initially has the feel of a standard time travel novel in that there are no great surprises in the first 100 pages or so…but stick with it. There’s a great twist right in the middle of the book that significantly changes its trajectory and allows it to break away from the rest of the genre.

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Rabu, 07 September 2011

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Get To Work: The college student's hands-on guide to earning internships and full-time employment, by Tucker J. Stein, Jack L. Osborn

Get To Work: The college student's hands-on guide to earning internships and full-time employment, by Tucker J. Stein, Jack L. Osborn



Get To Work: The college student's hands-on guide to earning internships and full-time employment, by Tucker J. Stein, Jack L. Osborn

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Get To Work: The college student's hands-on guide to earning internships and full-time employment, by Tucker J. Stein, Jack L. Osborn

GET TO WORK is an exciting tool for college students' internship and career job searches. GET TO WORK is designed to help students understand how to build a strong undergraduate resume during the course of their studies and how to achieve maximum success in both internship and job searches. Whether you are a first-year student building your resume for a first internship, or a senior seeking to enter a specific industry, this book will help you through the process and give you actionable insight into every step on the journey to finding meaningful employment. GET TO WORK is partly interactive and partly anecdotal. Throughout the book, we provide dozens of "Insider Tips" which are real examples from many successful professionals whom we have coached through this process. We believe these examples will help you understand real-world job search situations and that you will be able to apply these lessons to your own search. With this text, the time-constrained student can streamline their search, find efficiencies in the process and increase their return on invested time. The information helps you get started early so you are not left behind!

  • Sales Rank: #583075 in Books
  • Published on: 2015-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .49" w x 6.00" l, .65 pounds
  • Binding: Paperback
  • 214 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Will light a fire under your feet.
By JBartlet
Students who implement the strategies in this book will be light-years ahead of their peers in finding meaningful employment after graduation. The insider tips and Tucker’s antidotes illustrate exactly what it looks like to get to work and take advantage of the opportunities afforded to students. This book also allows for introspection through well-thought-out exercises, and explains how to differentiate yourself from thousands of other applicants for a job or internship.

This book is not only a tool for students. Parents, professors, ACADEMIC ADVISORS, or anyone who wants to guide a student towards success should read this book. Recent graduates or career changers will also find value in this book.

Whether you are a pre med student, an aspiring CEO, or completely lost and wandering around campus with your eyes closed, this book will light a fire under your feet.

0 of 0 people found the following review helpful.
Read this early in your academic career to be miles ahead of your peers after graduation.
By Sam Wise
I wish I had read this book as an undergraduate. After making numerous mistakes and finally stumbling into a great career, I mentor students at my alma mater using many of the themes mentioned in this book.

There is a massive amount of literature written on getting into a good school available for high school students. There is also a considerable amount of literature and self-help books for mid-career professionals. Very little is written on the process between leaving university and finding a career-path employment opportunity. GET TO WORK helps fill that gap.

Students should read this in their freshman year, begin following the processes mentioned in the book during their sophomore year, land and grow from a stellar internship in their junior year, and then coast into full-time employment during their senior year.

0 of 0 people found the following review helpful.
Incredible resource for college students of any age or year
By NFJenkins
This book is miles ahead of other guidebooks for college students. It contains mountains of incredible advice for college students of every age or year: the freshman who is looking for his first internship, the sophomore or junior looking to get an even better internship than their first one, and the senior looking to nail down their dream job.

If you've read other guidebooks on getting jobs or internships - and you don't think you need any more advice - think again. This one has something for you (or someone you know). Buy it, read it, learn from it, and live it.

Recommendation when reading: Pay VERY close attention to the Insider Tips. They are usually a couple paragraphs of information, but pack a TON of very, very useful information into those paragraphs.

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Get To Work: The college student's hands-on guide to earning internships and full-time employment, by Tucker J. Stein, Jack L. Osborn PDF
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Senin, 05 September 2011

[N350.Ebook] PDF Download Postcolonial Fiction and Disability: Exceptional Children, Metaphor and Materiality, by C. Barker

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Postcolonial Fiction and Disability: Exceptional Children, Metaphor and Materiality, by C. Barker

Postcolonial Fiction and Disability: Exceptional Children, Metaphor and Materiality, by C. Barker



Postcolonial Fiction and Disability: Exceptional Children, Metaphor and Materiality, by C. Barker

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Postcolonial Fiction and Disability: Exceptional Children, Metaphor and Materiality, by C. Barker

This book is the first study of disability in postcolonial fiction. Focusing on canonical novels, it explores the metaphorical functions and material presence of disabled child characters. Barker argues that progressive disability politics emerge from postcolonial concerns, and establishes dialogues between postcolonialism and disability studies.

  • Sales Rank: #3573664 in eBooks
  • Published on: 2012-01-06
  • Released on: 2012-01-06
  • Format: Kindle eBook

Review

'Clare Barker's Exceptional Children is a very timely and distinctive book, which makes a strong ethical argument for a critical negotiation of postcolonial studies and disability studies through some illuminating readings of the figure of the child in postcolonial fiction.' - Stephen Morton, Senior Lecturer in English, University of Southampton.

About the Author
CLARE BARKER Lecturer in English at the University of Birmingham, UK.

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